Catnyp is a glorious fairytale, but kind of in reverse. Rather than a hero wanting to join the mythical world and change things, it’s a changeling wanting to not become a hero, and a hero-wannabe trying to join the real world. I mean, honestly, who would necessarily want to leave a world filled with magic and mystery for the mundane real world where you have to work and you know… act like an adult?
I thought that this was going to be a really cute little romance, but it turns out it was more a story about finding oneself. I love that the changeling in this fell in love, found out more about the world she lives in and what love means to humans. But, ultimately, decided that she valued herself and wanted to grow more. She is the hero of her own story, not the supporting cast in someone else’s.
I loved everything about the world building in this story. It was intense and brilliant, multilayered and incredibly intriguing. Mostly though, I loved the idea of the library and it’s sentience – how the presence of people and energies created magical beings that supported the world of the Between and the fae.
This is one of those collections that I’ve stopped and started multiple times. Because sometimes that’s what I do with a short story collection. And yet, I have enjoyed reading it almost every step of the way. There’s always something fun and interesting about a collection edited by Ellen Datlow.
Vampire stories are one of those things that I’m very much on the fence about. I mean, I often enjoy them. But because of the naughties, they became something that was slightly overdone. Probably one of the reasons this book came in and out of my shelves so much – I enjoyed it but didn’t want to overdo it either.
The stories in this run the gambit of vampire characterisation. Some are classical. Some are romantic. Some are just a little bit bizarre. But every story was fun and worth reading again.
I loved this poem, as with all poems, there are a number of meanings interwoven throughout. It was also nice to read the introduction at the beginning of this piece of prose. In the case of this poem, it is a great take on the curse of Sleeping Beauty. One that gives a whole heap of meaning to just what is considered a “curse” and a “gift”.
When you think of Sleeping Beauty, you think of her being cursed to sleep for a thousand years. But, in the case of this version, she is given the ability to use all of the gifts given by other fairies for herself. Each and everyone is to be for her and her alone, not to be given to whatever potential husband she has in the future. Because then her future happiness and marriage is based upon a partner, not an obligation.
This poem definitely had a great lyricality to it and a fantastic message – sometimes what we see as a curse is actually going to give us our freedom. Eventually. Just hopefully not in 100 years…
Title: Flying Author: Delia Sherman In: Teeth: Vampire Tales (Ellen Datlow & Terri Windling) Rating Out of 5: 4.5 (Amazing, but not quite perfect) My Bookshelves:Circus, Vampires Dates read: 30th June 2021 Pace: Slow, Medium, Fast Format: Short story Publisher: Harper Year: 2011 5th sentence, 74th page: I’m making an egg for your father.
Lena’s parents gave up everything to help support her through cancer. But now all she wants to do is fly… what will the cost be?
I really loved this mix of circus performers and vampires. It was fun and exciting. And you constantly hoped for the best where Lena was concerned. Her battle for health and happiness was beautiful, and for me, this story became less about vampires and more about finding your happily ever after.
It was kind of sad that Lena’s happily ever after really, really didn’t involve her parents. After all, they are beautifully kind and supportive. Although, I suppose that we all find a happily ever after that really doesn’t involve our parents…
I always love stories by Delia Sherman. This one was no exception and I absolutely adored this tale. I love the imagery of the circus and a trapeze artist. The cats and the bats. Everything worked so beautifully and seamlessly together. Leaving me with a huge, happy grin on my face.
Prepare to be seduced by powerful magic — the sorcery of lust, need, and sensuality. Multiple award-winners Ellen Datlow and Terri Windling have gathered together twenty-two tales of unearthly temptations wickedly concocted by some of today’s most potent literary conjurers — including Neil Gaiman, Jan Yolen, Michael Swanwick, and Joyce Carol Oates. Here are stories of incubi and succubi, of forbidden fruits harvested in erotic gardens, of pleasures that persist beyond death. So heed the sirens’ song. Lie back, relax, and submit to the darkest delights you have ever experienced.
This collection isn’t quite toe curling, it isn’t quite horrific, but a nice mix between the two. It makes you think about the weirdness of sexuality. And the uniqueness of those things that go bump in the night. And thrive upon our sexual, deepest, darkest desires. I was honestly expecting this to be a little more of an uncomfortable read. However, mostly, I just found it intriguing.
This is a great collection of some very familiar authors, and some very new authors. It was a good way to depart from the realities of the world and be entertained by the imaginations of some very creative people. It wasn’t necessarily my favourite collection ever, the thread tying each of these tales together wasn’t as distinct as other collections. But it was a seriously enjoyable journey regardless.
This is definitely a collection that I’ll pick up again at some point in the future. It’s fun, light and easy. Also, there are a number of authors that I still need to hunt out books for… I enjoyed each and everyone of these stories.
In this thrilling collection of original stories, some of today’s hottest paranormal authors delight, thrill, and captivate readers with otherworldly tales of magic and mischief. In Jim Butcher’s “Curses”, Harry Dresden investigates how to lift a curse laid by the Fair Folk on the Chicago Cubs. In Patricia Briggs’s “Fairy Gifts”, a vampire is called home by magic to save the Fae who freed him from a dark curse. In Melissa Marr’s “Guns for the Dead”, the newly dead Frankie Lee seeks a job in the afterlife on the wrong side of the law. In Holly Black’s “Noble Rot”, a dying rock star discovers that the young woman who brings him food every day has some strange appetites of her own.
Featuring original stories from twenty authors, this dark, captivating, fabulous, and fantastical collection is not to be missed!
This is a seriously diverse collection of urban fantasy short stories. Not to mention fun and engaging. Probably moving right to the top of my list if I’m being honest. Normally my purview of urban fantasy is kind of small. But the breadth and width of these stories and the style in which they’re written… just wow.
I loved the fact that most of these short stories were standalones. I used to really enjoy finding new series through short stories and novellas. But, I have so many now that sometimes just reading a standalone without having to hunt out more of that world (I’m obsessive, I do this EVERY time) was kind of nice. I got a great taste of the imaginations and storytelling talents of a variety of authors, without actually feeling the need to buy more, more, more. Honestly, there is nothing worse than finding myself a new series to obsess over and then realising that I have a whole slew of new books to buy…
Although this is an urban fantasy collection, it does have a darker twist to it than usual. Every single one of these stories is a little bit dark, a lot bit fun and most don’t have a happy ending. Which, I tend to love, because I get a bit over all the happily ever afters… but it’s definitely something to keep in mind as you rip through the stories.
Gaslamp fantasy, or historical fantasy set in a magical version of the nineteenth century, has long been popular with readers and writers alike. Many wonderful novels, such as Stardust by Neil Gaiman, Jonathan Strange & Mr Norrell by Susanna Clarke, and The Prestige by Christopher Priest, ower their inspiration to works by nineteenth-century writers, including Jane Austen, the Brontes, Charles Dickens, and Anthony Trollope. And, of course, the entire steampunk genre and subculture owes more than a little to literature from and inspired by this period.
Queen Victoria’s Book of Spells is an anthology for everyone who loves neo-Victorian fiction and modern fantasists using vintage settings, characters, and themes. Their approaches stretch from steampunk fiction to the Austen- and Trollope- inspired works known as fantasy of manners. The result is eighteen stories by experts from the fantasy, horror, main-stream, and young-adult fields, including both bestselling writers and exciting new talents, who present a bewitching vision of a nineteenth century enhance (or cursed!) with magic.
This is an absolutely brilliant collection. One that I didn’t want to put down and introduced me to a whole new genre. It’s my first ever Gaslamp collection, and although I found some of the stories throughout a little weird and intense… I also loved the vast majority of them. Enough so that I plan to read this again and again in the future.
I was expecting a pretty simple and balanced collection. I
really wasn’t expecting such a convoluted and twisted set of stories. But, as
I’ve often found in life, it’s those unexpected surprises are the best and most
exciting aspects of life. They’re the moments that you don’t want to forget
because they were unplanned. And this anthology kind of felt like that.
I tend to read a lot of short stories late at night. Or when
I’m just needing a quick little break from the many complexities of my PhD. This
is not the collection that does that for me. It’s seriously intense, completely
unexpected and very full on. The kind of short stories that you want to read
when you have your concentrating brain working… not when it’s late at night and
you just want some easy entertainment…
Coyote. Anansi. Brer Rabbit. Trickster characters have long been a staple of folk literature – and are a natural choice for the subject of the acclaimed Ellen Datlow and Terri Windling’s third “mythic” anthology. Twenty-six authors, including Holly Black (The Spiderwick Chronicles), Charles de Lint (Little (Grrl) Lost), Ellen Klages (The Green Glass Sea), Kelly Link (Pretty Monsters), Patricia A. McKillip (Ombria in Shadow) and Jane Yolen, have crafted stories and poems drawing from cultures and traditions all over the world – each surprising, engrossing, and thought provoking. Terri Windling provides a comprehensive introduction to the trickster myths of the world, and the entire book is highlighted by the remarkable decorations of Charles Vess.
The Coyote Road, like its companions The Green Man (winner of the World Fantasy Award) and The Faery Reel (a World Fantasy Award Finalist), is essential reading for anyone interested in contemporary fantastic fiction.
This collection took a long time to read. Yet, I absolutely
adored it. Mostly it took a while to read because there were so many short
stories filling the pages, and whenever I finished one, I often went searching
for more stories by the authors I was discovering. My wishlist has grown by
leaps and bounds since starting this collection.
Like many of the Ellen Datlow collections lining my shelves, the theme and collected authors in this are brilliant. Each and every story is perfectly curated to match into the theme of Tricksters. Often in surprising and confusing ways. After all, the prefect trickster never does what is expected, and many of the stories in this managed to take me by surprise.
I would suggest this collection to anybody who loves short
stories, fantasy, mythology, tricksters… really I would just suggest it to almost
anyone. There are sad stories and happy ones. Insanely complex tales and ones
that are so beautifully simplistic. Definitely one of those collections that
I’m going to read again and again.
Title: How the Pooka Came to New York City Author: Delia Sherman In: Naked City (Ellen Datlow) Rating Out of 5: 4.5 (Amazing, but not quite perfect) My Bookshelves:Comedy, Fae, Urban fantasy Dates read: 4thy July 2019 Pace: Medium Format: Short story Publisher: St. Martin’s Press Year: 2011 5th sentence, 74th page: The shoat it belonged to squealed and bolted, leaving only four and their dam for the Pooka to fight.
The Pooka is a trickster of marsh and bog. So he’s not entirely sure why he’s in New York City, but maybe he should just make the best of his situation…
Most of the fae stories I read form some mentioning of the immigration
of the Fair Folk to America in some way, shape or form. There’s always a
mention of the industrial revolution and a discussion of how hard it was, even
for these supernatural immigrants. But I’ve never read a story that actually
takes place in this time. That talks about those first moments off the boat in
a whole new world that is just as convoluted and confusing to the fae as it was
to the humans. Until now. And I find that I kind of love it…
As with all of the other short stories I’ve read by Delia Sherman, there is a great level of wit and humour to this story. And a slight twist to it that made it so much more fun and more difficult to put down. But, mostly I loved the nature of the trickster and the weird juxtaposition of a man who is accompanied by a fae who is supposed to save him. When the fae is so iron sick that he can barely save himself…
I loved the vivid descriptiveness of this story. I felt like
I was actually standing next to the Pooka as he discovered a new world.
Trudging through a new reality that I didn’t understand or quite like… but one
that had so much potential.
She’s locked up in the dusty old archives trying to decipher the spells of a long-lost queen. But, when she finds out the secret behind the words, she’ll have to decide what to do with her knowledge.
As an introduction to Gaslamp fantasy, this was kind of fantastic. And the fact that it was a short story written by an author that I’ve already kind of fallen for… well, that was sort of perfect. After all, this story mixes magic, sexism and a healthy dose of pride and power. Actually, the voice which told the story was one that I immediately connected with and didn’t ever want to leave.
Queen Victoria is a
fairly pinnacle character of Victorian tropes – as soon as I saw the title of
the book and the story, I started to think about the time and reality in which
this story was placed. But, reading a diary from a young girl who supposedly
ended up marrying for love and who faced some very difficult hurdles to her
crown. All before she fully grew into her own powers and strength, was a great
adventure. It was a great theme and person to hang a story on.
One of the things that I struggle with in academia is the idea that one person’s opinions can seriously screw up your future (I’m very lucky with my academic supervisors). And that, in science and discovery, there are some things that might be a little too intense and dangerous to share. Again, not something that I actually tend to have to deal with, but it’s still a cloud that hovers over my thoughts. Sherman deals with these issues perfectly in a way that makes you really want to help the protagonist, and hope for the happy ending that is hinted in the final passages.
Earth and Skye 