I kind of forgot how disturbing Kelley Armstrong’s stories are. They’re so much darker than most of the fantasy that fills my shelves. And there’s not necessarily always a happy ending… although it does mostly work out that way. This short story goes to the top of the kind of disturbing list… especially when the story features a boy who is so obviously not okay… and, eventually completely evil.
I was kind of thrown by how creepy this story felt. I know that it was going to be a bit off-kilter since it was in a collection of tales about villains from bigger series. What I wasn’t expecting was to go from really liking a character to feeling seriously uncomfortable about their entire existence. And reason for being. To close the last page and not only want to pick up the series, but to also not ever want to confront this rogue Hunter again.
One of the things that has always disappointed me about the Women of the Otherworld series is the fact that there isn’t a novel dedicated entirely to Aaron and Cassandra. I like this version of vampires and I think that it would be much fun. But, a short story in which they make an appearance leaves me quite happy.
Normally I love collections like this because you can read one novella, finish it, put it down and walk away. I did manage to do this… but it was quite a bit more difficult than I had anticipated. I had already read something by every one of these authors, and so I knew that what was just around the corner was going to be fantastic. And it was this knowledge that made it nigh on impossible to stop thinking about this storyline.
This wasn’t my favourite collection of short stories. Maybe I’m not all that much into vampire stories, maybe because these are just the type of vampire stories that I really love. The only two tales I really loved in this were by Kelley Armstrong and Tanya Huff. They weren’t necessarily bad tales, just not ones that I was completely enthralled by.
I’m kind of on the fence about this collection. Some of the stories in this were brilliant. Some downright weird. But all were enjoyable. Just not memorable. This is the kind of collection you read for a good, light laugh and something that isn’t going to make you think and linger in your mind’s eye after you’ve finished the story.
I bought this book because it had two short stories from series that I’m reading. And then I figured that since it was an ebook, it was a good one to read before bed, instead of keeping my partner awake with the bedside lamp on. I’m still not sure of how I feel about this collection. It was certainly an easy read, but maybe not one that I will pick up again in a heart beat.
What a way to end a fantastic series. Although some of these stories take place throughout the greater range of the storyline, the final two short stories (and one of the novellas) in this collection bring you back to the events after 13 in some of the characters’ lives. It was incredibly sad to finish the last story (Baby Boom), but on the same token, really satisfying. After all, it’s taken me almost two years of spasmodic reading to actually complete the entire series, beginning to end.
As the name suggests, this short story is all about babies. It starts with a pregnant Savannah shopping with Paige for prams. But, as quickly becomes apparent, both Paige and Lucas aren’t interested in having children. While there are many moments that feature Savannah’s pregnancy, this story is really about Paige and Lucas, and the fact that sometimes people genuinely make the decision not to have children. Something that both Paige and Lucas agree wholeheartedly on.
Malcolm’s potential return to the werewolf Pack is left lingering at the end of Forsaken. Although it seems kind of a logical move, the ways in which Elena and Clay are able to go about this reintegration into the Pack are complex and overwhelming. Controlling a psychopath may be a good reason to welcome one into the fold, but is it really the best way to stop him from damaging others? After all, almost every member has been damaged by the Alpha-wannabe at some point in their histories.