I read this because it was in a Christmas collection and I really wanted to get into the Christmas spirit. Yet, I’m still completely unaware as to what this has to do with Christmas. Other than the fact that all of the action takes place on the solstice.
I’m struggling to get into the Christmas spirit this year. So I thought that I would try and read some Christmas themed stories to get the festive feelings going… and it’s kind of working, but mostly it’s giving me that nice,happy, buzzy feeling that a good story gives me. And this was an amazing story to start the collection off with. It was funny, sassy and reminded me of the joy that Christmas time used to bring as a child (and I’m not talking about the presents).
Oh my god. Now I have to wait until the first novel in this series arrives. Which will probably be in about two weeks from this point… which is a long time when you have found a new series to obsess over. This was just such a great introduction. And I haven’t ever had any book or series on my shelf that features a banshee. And since they are so awesome in folklore, I’m not entirely sure why this is…
I both liked and got bored with this short story. It was kind of interesting and fun. And I really liked the idea of one of the soulless damned (a vampire) finding his soul mate. There was a great little twist of irony in this and it was kind of sweet that even a soulless blood sucker could have that whole perfect fit, love at first sight experience.
I loved the prose in this. It was jumpy and a little all over the place. Quite sharp and to the point. And not really the kind of prose I would have expected from a novella in a paranormal romance collection. It wasn’t really that heavy on the romance either, that was just kind of slotted in. Which I appreciated immensely. After all, what I like about this series (the novella that I have already read anyway) is the darkness of it and the intensity.
To be honest, I’m not 100% sure of what was going on in a lot of this story. It takes place at the end of a series and it makes it incredibly hard to truly understand the tensions that are occurring throughout the story. But that doesn’t mean that I didn’t go out and buy the first book in the series as soon as I was finished.
I really didn’t know what to expect when I first started reading this short story. The rest of the stories in The Mammoth Book of Irish Romance have a heavy focus on the past and the days when Celtic beliefs were the primary ways in which to view the world. This tale on the other hand was heavily based in today’s modern world. And although it still featured fae and the same themes occurrent throughout this collection, it was a complete breath of fresh air.
Elrod does it again. She takes this great world of the 1930’s with gangsters and mobsters and creates an amazingly fun and intriguing crime story. Which happens to feature a vampire. It isn’t overly heavy handed on the idea of vampirism and Fleming’s new life, but it does make it all about it in its own, unique way. Honestly, I loved this story from beginning to end. It romanticises a time that I’m sure wasn’t’ even remotely romantic, and makes me think of club singers and back door deals and a time before really good security systems (because, let’s face it, none of this storyline is plausible in our current day and age of technology).
I am mildly obsessed with this story. It was a beautiful tale of the noir persuasion, set in Chicago in the 1930s. It was fiddled with mobsters and gangsters. Beautiful club singers and tough private detectives. And, also, a vampire. It worked just beautifully.
I’ve had this suggested again and again and again. So I finally decided that it was necessary to read this. And I’m really glad it did. It turned into one of those good-bad guilty pleasure stories. Something that I want to keep reading, but not the jaw dropping, earth shattering story that I was half expecting. This might be because I could see a lot of parallels with Twilight. Which I hate.