Sunny was a very sweet heroine in Ginger, and a great counterpart to her far more volatile cousin. The balance between these two characters was enjoyable, and Sunny’s ability to hold her own (even when she doubts that she can) reminds us that strength comes in all shapes and sizes. Even in those who are naturally meek and uninterested in conflict of any shape or form.
I enjoy anything set in the Jane Yellowrock world – it is always sassy, strong and constantly reminds you that no matter how odd you may be, there is somewhere in the world that you can fit in. If anything, I found this short story easier to relate to than the others so far – the twin Everhart witches are not only trying to cope with their sad past, but they are forced to confront a school bully. For those of us who have been bullied, we all imagine that day that we are reunited and can show that person how wonderful we are now that we’re not in school. When you’ve found a place in society that you can actually fit into, you want to show others that all of the hurt in the past doesn’t matter anymore (even when it does). The Devil’s Left Boot allows the twin witches to do this. And it works brilliantly.
Everyone loves a good bargain. And, although I can’t imagine what it is like to go shopping at a Walmart or some such shop, it was still quite amusing reading about Maddie’s (once again) chaotic experience of shopping. The appearance of Lucifer, and Beezle’s snappy comments just helped to increase the enjoyable feeling of mayhem that I know I experience when I have to go to the shops.
It’s kind of difficult to find the time, not to mention the money to spend a night out on the town. And I don’t have supernatural duties and forces to contend with. Maddie and Beezle’s night on the town, although it had a happy ending had the same catastrophic, chaotic style that well, all of her stories do. It made me feel a lot better about my own hermit-like existence at times…
In hindsight, this isn’t really the type of story you should be reading while you are in the middle of nowhere, doing fieldwork at 3am… The title alone kind of shows that. Regardless, I actually thoroughly enjoyed these five pages of slight terror that I felt in my tiny, accessible cabin on reserve. I just didn’t so much enjoy it when I decided to turn out the lights…
There is something so tantalising about a main character that is so obviously not good. Whether it’s someone like Cherry Kisses’ Lena Falco, or a morally ambiguous hero like Batman, the blurred line in morality makes these characters both more relatable and scandalous. Especially when the tale ends in a truly moral dilemma and the choice made really isn’t what the truly good heroes would make.
I’m not normally a huge fan of stories that are all about revenge – it seems like most of the time it is a twisted pursuit that leaves the perpetuators shells of their former selves. However, I liked the gradual and manipulative way in which Dahlia pursues her vengeance in this short story. Not only is it a pursuit in the name of love, but the sass and flash with which she carries out her retribution completely makes up for my usual distaste in such a story.
I really don’t have many words to describe this short story. Basically, I loved it, but at the same time, I was a little mad at the end of the story. It felt like a good beginning of a series, but also another tale about a strong, independent woman losing her identity for the sake of a man – not something that I am a huge fan of in the least. However, the writing and slow filtering of information that Handeland uses is a perfect counterbalance to create an enjoyable storyline that would probably otherwise have really, really, really annoyed me.
How Do You Feel? was a completely unexpected short story – it was quite dark, with a twisted and unexpected strain of humour throughout it. The completely unforeseeable love story that rounded it out just polished it off to make me want to read the rest of the Nightside series. The use of a main character whose name is Dead Boy should have given me a hint to what kind of story I was in for though.
A lot of stories rely on a character that is completely removed from their familial life. Whether it’s an orphan, someone who has been removed from their clan, or they’ve watched everything around them die and go up in flames, most good characters have nothing they can return to in their past. They either have nothing to lose, or everything. Lily in The Girl with No Name takes this one step further. This story is a literal journey of self-discovery – a girl who is unable to remember her own name, let alone her past.