I have some seriously mixed feelings about Bruiser and Jane ending up together. Mostly, I think that I don’t want it to happen. I have too much of an attachment to Rick. But, there is this great chemistry between them. And reading short stories like Dance Master which tell things from Bruiser’s point of view… then I start to feel a little more inclined towards their eventual relationship. I still prefer Rick, but that may change as the series evolves…
At the end of Mercy Blade, I was honestly a little bit disappointed and frustrated. It ended on such a cliff hanger and I seriously wasn’t impressed. Plus, I couldn’t get up to get this short story or the next novel in the series because I had my very big, very cuddly dog on my lap… but then I got the chance to read this… and I was so very, very happy!
I thoroughly enjoyed this short story. But I was kind of ticked that it gave away a fair bit about the future in the Jane Yellowrock world. Which was kind of annoying when I keep meaning to pick up this series all over again… but, hopefully by the time that I do, I won’t really remember where this story fits into the series, and I’ll be able to be surprised anyway.
I enjoy anything set in the Jane Yellowrock world – it is always sassy, strong and constantly reminds you that no matter how odd you may be, there is somewhere in the world that you can fit in. If anything, I found this short story easier to relate to than the others so far – the twin Everhart witches are not only trying to cope with their sad past, but they are forced to confront a school bully. For those of us who have been bullied, we all imagine that day that we are reunited and can show that person how wonderful we are now that we’re not in school. When you’ve found a place in society that you can actually fit into, you want to show others that all of the hurt in the past doesn’t matter anymore (even when it does). The Devil’s Left Boot allows the twin witches to do this. And it works brilliantly.
Many of the Jane Yellowrock short stories are written from the point of view of other characters in the series, which is very enjoyable. First Sight is the first book that divulges the first impressions of another character within the stories. Especially when this first impression is that of a man who is interested in her.
Molly is a fantastic contrast to Jane, and telling the tale of Jane’s most successful vampire hunt through her eyes was refreshing and a very unique way to tell a new tale. Likewise, such a horrifyingly difficult hunt and journey was softened through Molly’s voice. Her ability to sense the dead and feel what they felt made the tale more tender and the deaths of the victims more tragic.
Changing the point of view of a story is always a nice change and a breath of fresh air, and Haints was no different. The Jane Yellowrock series allows us to delve into Jane’s experiences and her feelings about the Everheart family, but Haints tells of Molly’s motherly and caring attachment to Jane.
Kits further highlights two aspects of Jane’s life; her love for children, especially the Everhart girls, and the simple and honest friendship between Jane and Molly. The previous short stories have focused on Jane’s early life and her isolation from everyone else. Finding Molly and her small family is a beautiful moment in which Jane is able to have family and loved ones – people that she wants to protect.
Rick’s tatts in Skinwalker are a great source of fascination and intrigue. The story behind this provided a small insight into this fateful moment is both tragic and left me with a feeling of an unfinished future together. I love this idea of fate and future, and the ways in which Jane and Rick seem to have ties to each other and each other’s lives.
I love this short story – it takes us on a journey into Jane’s first job. It was so fun finding out more about Jane’s first day as a PI, and the way in which she had to prove herself to her new employer. The run down locale and shop front perfectly suits Jane’s persona, and it is incredibly easy to see her put in such a position. If Hunter had placed her chief protagonist in a place of good standing and a tidy, respectable front, it would be far more difficult to envisage.