Title: Hunger, An Introduction Author: Peter Straub In: Hauntings (Ellen Datlow) Rating Out of 5: 3 (On the fence about this one) My Bookshelves:Ghosts, Horror Pace: Slow Format: Short story Publisher: Tachyon Year: 2013
Hunger, An Introduction was not quite as creepy as many other stories in the Hauntings collection. Which I’m kind of glad about. Because some of them were seriously intense and kind of uncomfortable to read.
This short story jumped around a lot. It talked a lot about the hunger of death. And how hauntings occur. I’d probably have to read this again to get a better grasp on how it is all related. Particularly to the child at the end.
I don’t normally feel that deaths are necessarily warranted. But Ethel and Frank’s stories were seriously twisted. Their journeys to death row something that made me cringe. And their fate as hauntings kind of felt warranted.
This is, as with all Ellen Datlow collections, seriously fun and enjoyable. The fact that this fantastic collection is full of seriously creepy stories made it that much more enjoyable. Mostly because it’s out of my usual genre of choice. Horror and ghost stories might not be quite my usual speed, but that didn’t mean that I didn’t love reading this collection!
Although I really enjoyed reading all of these short stories, I did find that this was not an anthology I should be reading late at night. Or when I was home alone. Whilst some of the stories were kind of mild and not too terrifying, some made it really difficult to sleep after turning the final page. Or just made it difficult to turn off the lights. Which is why this took me a little bit longer to read than I had anticipated.
Hauntings runs the gambit of horror and ghost stories, from horrible hauntings to stories that had a little bit more hope at the end. They made me feel all of the feelings, and I would most definitely read this collection again in the future.
Horror’s most acclaimed editor reveals twenty riveting tales of the Other gone wrong. Monsters who suffer from heartbreak, betrayal, ungrateful kids, and unpaid overtime. Creatures of darkness that struggle to adapt to modern living. Ordinary folks who find themselves inexplicably transformed. 88 But if you dare, come a bit closer and discover the most terrifying of beings – those who are living under your own skin and peering out from behind your eyes.
This collection is brilliant. It is dark, creepy and intense. It is fun. It gave me goose bumps. And it is filled with monsters who come in ALL shapes and sizes. And I mean ALL. A wonderful, fantastic and seriously enjoyable collection filled with the things that go bump in the night. The things that you really hope aren’t hiding under your bed.
Although this anthology sits in my horror shelf, it isn’t really all that scary. Sure, there are multiple moments of discomfort throughout. But they’re that, you have to think a little too much, or consider the many moments of confusion throughout this story that you really don’t necessarily want to think too much about. And, honestly, it’s not the things that jump out and yell BOO that make me love horror. It’s that underlying discomfort that makes you look at your own life that I am quickly becoming obsessed with.
I absolutely adored this collection. It was filled with some familiar names and new ones. Each and every story made me stop and really think about what the storyline was saying. And even now, when I have still finished the whole collection… I am still thinking about some of the stories that I read.
The award-winning editors of II Snow White, Blood Red II return us to distinctly adult realms of myth and the fantastic with eighteen wondrous works. From Roger Zelazny’s delightful tale of Death’s disobedient godson to Peter Straub’s blood-chilling look at a gargantuan Cinderella, here are stories strange and miraculous that remold our most cherished childhood fables into things sexier, more sinister… and more appealing to grown-up tastes and sensibilities.
After reading Snow White, Blood Red, I knew that I needed the other books which were edited by Ellen Datlow and Terri Windling featuring fairy tale retellings. Because these aren’t the retellings that you would expect. And they’re not the kinds of retellings that make you feel all nice and fluffy on the inside. They’re dark and twisted in places. Sexual in others. And just downright make you think most of the time.
Many of the authors in this collection are ones that I have already come across. Which is something I most certainly enjoyed. A few were totally new to me. Enough to make me wonder who I would be coming across next, but not so much that I felt like I had a whole slew of new people to add to my shelves. Rather, it was a fair few authors who are already in my wishlist…
I love the constant returning to fairy tales that were reminiscent of the Grimm Brothers. It’s a nice little departure from the more common fairy tales that I find. And other than Rumpelstiltskin and Red Riding Hood, the vast majority of these fairy tales were of the lesser known variety. Which suited me perfectly. I like those more abstract stories at times.
Ashputtle is the newest version of Cinderella. With a much darker, far more disturbing twist…
This is an incredibly insane version of Cinderella. Like, seriously insane. One that I absolutely adored. And couldn’t get enough of. And just seriously enjoyed… but it was dark, and made me think of Cinderella (or in this case Ashputtle) as more of a monster than a victim. Which is probably why I loved it so much. Nothing like a sick, disturbing story to make my crazy brain happy.
I found some of the points made about fat people really interesting. The idea that they’re presumed to be stupid or just plain ignored. It was painfully true. But also helped to create a cloak behind which Ashputtle could hide her atrocities. It’s a little bit scary how spot on these moments were and made me stop and think about how I deal with other people.
My biggest question about this short story is – what was done to the children? I know the culprit. I know that they went missing. And I even know why they were the selected victims. But what I don’t know is what was done with them? And my imagination is not leading me to nice, happy places with that…