Elrod does it again. She takes this great world of the 1930’s with gangsters and mobsters and creates an amazingly fun and intriguing crime story. Which happens to feature a vampire. It isn’t overly heavy handed on the idea of vampirism and Fleming’s new life, but it does make it all about it in its own, unique way. Honestly, I loved this story from beginning to end. It romanticises a time that I’m sure wasn’t’ even remotely romantic, and makes me think of club singers and back door deals and a time before really good security systems (because, let’s face it, none of this storyline is plausible in our current day and age of technology).
I am mildly obsessed with this story. It was a beautiful tale of the noir persuasion, set in Chicago in the 1930s. It was fiddled with mobsters and gangsters. Beautiful club singers and tough private detectives. And, also, a vampire. It worked just beautifully.
I love the noir gangster setting of this short story. It made me think of the 20’s, and some of the old movies that I’ve admittedly never gotten around to, but always plan to watch… it was kind of dark, lots of fun and incredibly captivating. The only complaint I have about this story is that it was over way too soon.
I didn’t really know what to think about this story – I liked the idea of a moral private investigator with a vampire sidekick, but some of the suave present in past stories by P.N. Elrod is missing from this short tale. However, the voice of the narrative helped to bring me back to the story when I wasn’t entirely sure it was what I was in the mood for. The tone of the tale had just the right balance of cheerful self-deprecation and intrigue to keep me interested in the chief protagonist and his quick journey into re-stealing a gem for its rightful owner.