There is something especially terrifying about the plague. Actually, there’s something that is horrible about being sick in general – the feeling that your own body has turned against you. The final book in the Circle of Magic Quartet is a great reminder of how potently terrifying an incurable disease can be. Especially when it can pass undetected from person to person. After all, if anyone can be sick, how do you trust those around you, even your own family?
Of all of the Circle of Magic books, it is The Fire in the Forging that I have always loved the most. There is something about Daja’s trials and choice throughout this story that have always hit a chord with me. We’re all faced with difficult choices about our futures at one point or another in our lives, and Daja’s is something that made it impossible to predict how the story was going to progress.
Tris’ story is difficult to envisage from the very beginning, but in The Power in the Storm, her feelings of insecurity, loss and confusion about everything that is going on around her truly come to the fore. But honestly, mostly I love this story because Tris is a character I can completely relate to – the feeling of isolation and not quite belonging is something that everyone feels. Especially when they are a teenager trying to figure out just who they are.
The Circle of Magic was the first Tamora Pierce series that I had the privilege of reading. And it began an obsession that has spanned over a decade. Yet, every time I revisit Sandry, Daja, Briar and Tris, I am enchanted all over again. Especially when I’m in the middle of studies, and I just want to spend ten minutes drifting off to another, fascinating world.
Lioness Rampant is a great conclusion to the Song of the Lioness quartet. Alanna’s years of travel, training and testing help to bring her powers to the fore. And luckily, because this is an epic battle and journey that helps to cement her fame as a hero in the Tortallan world. Yet, it is also where Alanna is able to come full circle – she finally accepts herself for everything that she is, she finds herself someone that she wants to spend the rest of her life with, and she is able to find her place in the world that makes her happy and fulfilled.
The entire Song of the Lioness quartet is about acceptance for me – acceptance of the differences (and similarities of others), acceptance that things are not always as they seem, and most importantly, acceptance of yourself. Although Alanna is forced to accept herself as both a woman and a warrior within the first two books, her ability to come to terms with both her magic and her recent past are seriously challenged, and eventually resolved in The Woman Who Rides Like a Man.
Alanna’s final years as a knight-in-training are everything that her first years as a page were – they are filled with laughter, danger and intrigue. The revealing of her secret at the end of Alanna: The First Adventure just helps to further her tale as she continues to battle enemies, both inside and out. Yet, as she gets older, the stakes are also raised, and Alanna is constantly forced to face even greater challenges. Not to mention that In the Hand of the Goddess brings forth her patron – the Mother Goddess.
Tales of women masquerading as men occur again and again in both classical and modern literature. After all, in a society that is patriarchal in nature, the idea of dressing as a man to get the recognition and follow the path that a woman wants isn’t that ridiculous. Pierce’s adaptation of this classical story works beautifully in the Song of the Lioness Quartet. Alanna’s choice to pursue her chosen future, regardless of the consequences shows a level of gumption and courage that few truly have. Her ability to fight for what she believes is right is completely admirable and it makes this story impossible to put down.
I’ve loved the idea of Shang warriors since the first moment they were mentioned in Alanna: The First Adventure, so finally finding a story about one… indescribable! Kylaia is briefly mentioned in the Song of the Lionness series, and it was difficult to imagine how a woman would become a master of her own body, to the point that she is able to kill a man with her bare hands. It is easy to understand how the rest of the Tortall women choose to pursue their destinies – their parents were involved in wars, they fell into the situation, or they are stubborn nobles who decide to forge a slightly unique path. Yet, the idea of someone becoming so honed in their body that they are chosen for the Shang way of life… it finally makes sense!
Bonedancer has been an incredibly cheeky enigma of a character since his conception in The Emperor Mage. So, as with all series, it was incredibly fun to read a short story that featured this slightly obscure creature. That it is also pared with the reproductive cycle of Spidrens, and an eventful day out that involved pursuit, rogue mages and theft just helped to make this short story all the more enjoyable.